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Helena Gatsby request #265 @alicjarozalia

[365days365movies]

March 18, 2021: The Purple Rose of Cairo (1985) (Part One)

Look, it’s Woody Allen again! Why is this elephant here?

Ah, right. The documentary on HBO, which I have not watched since I last talked about Woody Allen? Why? Well, from what I’ve heard, it’s not the most accurate documentary, and has a bit of bias loaded into it. And again, I don’t know nearly enough about the whole situation, but...I’m also not interested in potentially biased accounts. So, I’ll take the time to educate myself.

Shame that I rarely have any time, then.

Yeah, I just made one of the oldest jokes on the internet ever. Sue me. SUE ME I DARE YOU

You may be asking, then, why am I doing the whole movie thing? Well, in truth, this is a form of escapism for me. I mean, who doesn’t like sitting down and watching a good movie, putting away your worldly cares for about 2 hours so that you can dive into another world entirely? I mean, the worlds that’ve been built by film over the last century never ceases to amaze me.

From Avatar’s Pandora to Mustafar in Star Wars Episode III: Revenge of the Sith, to the Great Barrier Reef in Finding Nemo, or the world of Monsters, Inc. There are so many unique worlds, not to mention the characters who inhabit them, and the directors and filmmakers who craft and show them. I just love movies, honestly. Which I could literally be in the world of some of them, even for just 2 hours.

But enough of that, what’s this film about? Eh, whatever, LET’S JUST GET INTO IT! SPOILERS AHEAD!!!

Recap (1/2)

We’re brought in on “Cheek to Cheek”, as sung by Fred Astaire, which is, not gonna lie, a guilty pleasure song of mine that I find myself singing in quiet moments. This leads us to a movie poster for the film, The Purple Rose of Cairo, which is being admired by Cecilia (Mia...Farrow). Ohhhhh.

You may remember Mrs. Farrow from her eponymous voice role in The Last Unicorn, which was made a few years before this film. And she’s also known for Rosemary’s Baby, The Great Gatsby, and...her marriage to Woody Allen, which ended in divorce and a massive lawsuit. Said lawsuit involved Farrow’s accusation of sexual abuse to their adopted daughter, Dylan. And that’s what the HBO documentary is about!

WOW. AWKWARD. Apparently, the two got married in 1980, and made thirteen films together, this one included. Which seems both awkward, and like straight-up nepotism, but whatever. Tim Burton did the same thing with Helena Bonham Carter, so whatever; it’s not unprecedented, is what I’m saying. Back to the movie, though.

Cecilia is a waitress, along with her sister (played by Stephanie Farrow, Mia’s actual sister). She’s new at the job, and not great at it. But, her and her sister still have nice conversations about films, as Cecilia’s quite the cinephile. After work, Cecilia meets her husband Monk (Danny Aiello), an abusive gambler who’s unemployed and not doing much about it. It’s the middle of the Great Depression, and things are hard all over. Monk seems to handle this by playing dice, and not particularly well.

Cecilia unsuccessfully tries to get Monk to see the newest movie with her, so she goes to see it alone that night. The film itself is a comedy about a rich Manhattanite named Henry (Edward Herrmann), alongside his wife Rita (Deborah Rush) and friend Jason (John Wood). They take a trip to Cairo, where they meet a young archaeologist named Tom Baxter (Jeff Daniels), who’s there to seek the mythical Purple Rose of Cairo. They invite him back to New York with them, and he accepts. There, he falls in love with Kitty Haynes (Karen Ackers), a singer at the Copacabana.

Cecilia is head over heels in love with the movie itself, and dreams about it at work, before going to see it again with her sister. They go to an early showing, and when she comes home, Monk’s drunk and spending time with a woman named Olga. Understandably enraged by this, Cecilia packs up her belongings to move out. Monk tries to get her to stay, the abusive cheating douchebag that he is. She notes that he hits her, and he defends his actions. Monk’s a real piece of shit. And she leaves, despite his absolute shit. God, I hope she stays away.

Unfortunately, she’s essentially forced to come back to the apartment that night, and returns to work as well. But not for long, as she’s basically immediately fired. Now jobless and stuck in an extremely shitty marriage, she has nowhere to go...except for the movies. And she goes back over...and over...and over again, five times in a row that day.

But the seventh time she sees the movie...something happens. Something fascinatingly unusual. The film, specifically Tom Baxter himself, watches her back.

Holy shit, that’s awesome! Tom Baxter notices Cecilia in the audience, and before his “madcap Manhattan weekend” is set to begin, Tom notes that she must really love this movie, and also that he’s noticed her all 6 previous times she’s seen the film. And then...he leaves. He leaves the movie!

He turns to color, and he jumps out of the screen to sweep Cecilia off of her feet. And EVERYBODY sees this, including the people IN the movie and in the theatre. I also love the fact that as soon as he turns to color, a woman faints, which is super fucking funny to me for some reason. Tom runs off with Cecilia, free after 2,000 monotonous performances.

Now that Tom’s met Cecilia, he’s never going back. The audience and the film stars are in complete disarray, and without Tom present, the movie can’t go forward, and the film characters descend into arguments about whose movie this actually is. It’s uh...it’s fucking hilarious, actually.

The enthusiastic Tom Baxter goes with Cecilia to a closed amusement park, where Cecilia once again expresses confusion at the whole affair. He notes that she’s been looking at her with every one of his performances, although she doesn’t understand why. But he calls her fetching, and is clearly quite smitten with her. And she appears to be returning that affection.

When Tom tells her that Cecilia is in love with him, she notes that she’s married. Still, he asks her to meet him that night at the amusement park. After all, how many times does a movie character leave a movie to meet somebody? Not an everyday occurrence.

Meanwhile, the film characters continue to be freaking the fuck out. The Countess (Zoe Caldwell) and Larry Wilde (Van Johnson) show up as well. The audience appears to be enjoying this less than I am, and they start to backtalk the movie, calling it boring. The movie backtalks the audience right back, and it continues to be hilarious.

Eventually, this becomes an attraction in and of itself. They suggest turning the movie off, but that risks stranding Tom Baxter outside. It also means that the film characters wouldn’t exist, which Henry is EXTREMELY upset about. As the news arrives to cover the small theatre’s anomaly, the people in the film itself start to play pinochle, as a few people linger around to watch and interact with the characters. The theatre manager (Irving Metzman) calls the production company, RKO, and they get on the phone with a Gil Shepherd.

Meanwhile, Cecilia manages to get out of the house, despite Monk trying to keep her there to massage his back, the absolute douchebag. She goes and meets Tom, and they go dancing together. This is just as the actor who plays Tom, Gil Shepherd (Jeff Daniels) is called by RKO while he’s at a party. Gil seems like kind of a typical Hollywood jerk, but he’s interrupted by an agent, who tells him that they need to get control of...well, whatever the hell this is.

Apparently, RKO is telling Gil that if he can’t get “his creation” under control, then he’ll essentially be blacklisted, especially considering that there’s no telling what Tom’s doing out there. And what Tom is doing is attempting to pay for a meal with Cecilia, only to find that his money isn’t real money. The two dine-and-dash, and they escape in a car back to the amusement park. 

There, the two kiss, with Tom expecting the screen to fade out in preparation for them to make love. He’s surprised when it doesn’t happen, and it’s neat to see his adjustment to the world outside of films. He wants to continue with the lovemaking, but she’s still faithful to her husband. He stays at the park, and she returns home, where she still hasn’t told Monk about her new unemployment status.

The next morning, Gil and co. arrive at the small New Jersey town, and Gil ends up running into Cecilia, who confuses him for Tom. Gil realizes exactly what’s going on, and reveals who he is to her. The two start to talk, and Cecilia just fangirls EVERWHERE. She agrees to take him to meet his character.

Great place to pause, I think! See you in Part Two!

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Helena Gatsby